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Tuomas Eerola

Showing results (31-40 of 46) with videos related to

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Plos One|December 5, 2023
Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervalsJames Armitage, Imre Lahdelma, Tuomas Eerola, et al.
Plos One|January 13, 2021
Harmonic organisation conveys both universal and culture-specific cues for emotional expression in musicGeorge Athanasopoulos, Tuomas Eerola, Imre Lahdelma, et al.
IEEE Transactions on Image Processing : a Publication of the IEEE Signal Processing Society|October 30, 2015
Segmentation of Overlapping Elliptical Objects in Silhouette ImagesSahar Zafari, Tuomas Eerola, Jouni Sampo, et al.
Quarterly Journal of Experimental Psychology (2006)|March 18, 2017
Incremental comprehension of pitch relationships in written music: Evidence from eye movementsLauren V Hadley, Patrick Sturt, Tuomas Eerola, et al.
Emotion (Washington, D.C.)|February 13, 2013
Universal and culture-specific factors in the recognition and performance of musical affect expressionsPetri Laukka, Tuomas Eerola, Nutankumar S Thingujam, et al.
Royal Society Open Science|March 9, 2018
Shared periodic performer movements coordinate interactions in duo improvisationsTuomas Eerola, Kelly Jakubowski, Nikki Moran, et al.
Journal of Experimental Psychology. Human Perception and Performance|October 7, 2004
The role of melodic and temporal cues in perceiving musical meterErin E Hannon, Joel S Snyder, Tuomas Eerola, et al.
Plos One|February 10, 2022
Correction: Harmonic organisation conveys both universal and culture-specific cues for emotional expression in musicGeorge Athanasopoulos, Tuomas Eerola, Imre Lahdelma, et al.
Physics of Life Reviews|December 5, 2017
An integrative review of the enjoyment of sadness associated with musicTuomas Eerola, Jonna K Vuoskoski, Henna-Riikka Peltola, et al.
Frontiers in Human Neuroscience|January 19, 2016
It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and LaypersonsElvira Brattico, Brigitte Bogert, Vinoo Alluri, et al.
Pageof 5

Showing results (31-40 of 46) with videos related to

Sort By:
Pageof 5
Plos One|December 5, 2023
Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervalsJames Armitage, Imre Lahdelma, Tuomas Eerola, et al.
Plos One|January 13, 2021
Harmonic organisation conveys both universal and culture-specific cues for emotional expression in musicGeorge Athanasopoulos, Tuomas Eerola, Imre Lahdelma, et al.
IEEE Transactions on Image Processing : a Publication of the IEEE Signal Processing Society|October 30, 2015
Segmentation of Overlapping Elliptical Objects in Silhouette ImagesSahar Zafari, Tuomas Eerola, Jouni Sampo, et al.
Quarterly Journal of Experimental Psychology (2006)|March 18, 2017
Incremental comprehension of pitch relationships in written music: Evidence from eye movementsLauren V Hadley, Patrick Sturt, Tuomas Eerola, et al.
Emotion (Washington, D.C.)|February 13, 2013
Universal and culture-specific factors in the recognition and performance of musical affect expressionsPetri Laukka, Tuomas Eerola, Nutankumar S Thingujam, et al.
Royal Society Open Science|March 9, 2018
Shared periodic performer movements coordinate interactions in duo improvisationsTuomas Eerola, Kelly Jakubowski, Nikki Moran, et al.
Journal of Experimental Psychology. Human Perception and Performance|October 7, 2004
The role of melodic and temporal cues in perceiving musical meterErin E Hannon, Joel S Snyder, Tuomas Eerola, et al.
Plos One|February 10, 2022
Correction: Harmonic organisation conveys both universal and culture-specific cues for emotional expression in musicGeorge Athanasopoulos, Tuomas Eerola, Imre Lahdelma, et al.
Physics of Life Reviews|December 5, 2017
An integrative review of the enjoyment of sadness associated with musicTuomas Eerola, Jonna K Vuoskoski, Henna-Riikka Peltola, et al.
Frontiers in Human Neuroscience|January 19, 2016
It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and LaypersonsElvira Brattico, Brigitte Bogert, Vinoo Alluri, et al.
Pageof 5