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Experimental Brain Research|September 4, 2012
Perceiving bodies in motion: expression intensity, empathy, and experienceVassilis Sevdalis, Peter E KellerConsciousness and Cognition|April 13, 2010
Cues for self-recognition in point-light displays of actions performed in synchrony with musicVassilis Sevdalis, Peter E KellerActa Psychologica|August 13, 2014
Know thy sound: perceiving self and others in musical contextsVassilis Sevdalis, Peter E KellerPsychological Research|October 29, 2010
Perceiving performer identity and intended expression intensity in point-light displays of danceVassilis Sevdalis, Peter E KellerAnnals of the New York Academy of Sciences|August 14, 2009
Self-recognition in the perception of actions performed in synchrony with musicVassilis Sevdalis, Peter E KellerBrain and Cognition|September 2, 2011
Captured by motion: dance, action understanding, and social cognitionVassilis Sevdalis, Peter E KellerFrontiers in Human Neuroscience|June 13, 2020
Informing, Coordinating, and Performing: A Perspective on Functions of Sensorimotor CommunicationCordula Vesper, Vassilis SevdalisAnnals of the New York Academy of Sciences|April 25, 2012
Mental imagery in music performance: underlying mechanisms and potential benefitsPeter E KellerConsciousness and Cognition|April 5, 2011
A grammar of action generates predictions in skilled musiciansGiacomo Novembre, Peter E KellerBiological Cybernetics|April 10, 2019
Tutorial and simulations with ADAM: an adaptation and anticipation model of sensorimotor synchronizationBronson Harry, Peter E KellerPageof 14