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I-Perception|May 15, 2018
Implicit and Explicit Evaluation of Visual Symmetry as a Function of Art ExpertiseHanna Weichselbaum, Helmut Leder, Ulrich AnsorgeActa Psychologica|May 31, 2019
Effects of liking on visual attention in faces and paintingsJuergen Goller, Aleksandra Mitrovic, Helmut LederCognitive Processing|March 19, 2017
Empathy, Einfühlung, and aesthetic experience: the effect of emotion contagion on appreciation of representational and abstract art using fEMG and SCRGerger Gernot, Matthew Pelowski, Helmut LederI-Perception|October 5, 2016
How Beauty Determines Gaze! Facial Attractiveness and Gaze Duration in Images of Real World ScenesHelmut Leder, Aleksandra Mitrovic, Jürgen GollerQuarterly Journal of Experimental Psychology (2006)|January 30, 2016
It felt fluent but I did not like it: fluency effects in faces versus patternsGernot Gerger, Michael Forster, Helmut LederActa Psychologica|July 2, 2014
Context effects on emotional and aesthetic evaluations of artworks and IAPS picturesGernot Gerger, Helmut Leder, Alexandra KremerFrontiers in Human Neuroscience|June 17, 2017
How Stable Are Human Aesthetic Preferences Across the Lifespan?Cameron Pugach, Helmut Leder, Daniel J GrahamFrontiers in Psychology|March 9, 2013
An Island of Stability: Art Images and Natural Scenes - but Not Natural Faces - Show Consistent Esthetic Response in Alzheimer's-Related DementiaDaniel J Graham, Simone Stockinger, Helmut LederPlos One|August 27, 2015
When Challenging Art Gets Liked: Evidences for a Dual Preference Formation Process for Fluent and Non-Fluent PortraitsBenno Belke, Helmut Leder, Claus-Christian CarbonBrain and Cognition|June 1, 2019
Art looks different - Semantic and syntactic processing of paintings and associated neurophysiological brain responsesPatrick S Markey, Martina Jakesch, Helmut LederPageof 21