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Journal of Cultural Economics|April 16, 2024
Live and digital engagement with the visual artsVictoria Ateca-Amestoy, Concetta CastiglioneJournal of Cultural Economics|April 16, 2024
Innovation and diversity in the digital cultural and creative industriesJen Snowball, Delon Tarentaal, Jonathan SapsedJournal of Cultural Economics|April 16, 2024
New forms of finance and funding in the cultural and creative industries. Introduction to the special issueEllen Loots, Diana Betzler, Trine Bille, et al.Journal of Cultural Economics|April 16, 2024
Beyond the realm of cash: street performers and payments in the online worldMeg Elkins, Tim R L FryJournal of Cultural Economics|April 16, 2024
Music preferences as an instrument of emotional self-regulation along the business cycleJuan de Lucio, Marco PalomequeJournal of Cultural Economics|February 29, 2024
Intermediary liability and trade in follow-on innovationAlexander Cuntz, Matthias SahliJournal of Cultural Economics|April 16, 2024
Workers' access to Swedish opera houses and concert halls, 1898-2019Staffan AlbinssonJournal of Cultural Economics|April 16, 2024
How does urban violence impact choices of cultural participation? The case of the Maré favela complex in Rio de JaneiroLuisa Iachan, François Moreau, Paul Heritage, et al.Journal of Cultural Economics|April 16, 2024
Work satisfaction and job permanence in artistic careers: the case of musicians in Belo Horizonte, BrazilJonas da Silva Henrique, Ana Flávia Machado, Mariangela Furlan AntigoJournal of Cultural Economics|April 16, 2024
Foreign pop-culture and backlash: the case of non-fan K-pop Subreddits during the pandemicByunghwan SonPageof 2