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Literature and Medicine|August 13, 2019
A Lexicon for the Sick Room: Virginia Woolf's Narrative MedicineEmily JamesLiterature and Medicine|August 13, 2019
Bodily Capacity beyond Pathology: Towards an Embodied Intersubjectivity in Ruth Ozeki's A Tale for the Time BeingKathryn CaiLiterature and Medicine|August 13, 2019
Microbial Perspectives: Mark Twain's Imaginative Experiment in EthicsKym WeedLiterature and Medicine|December 13, 2021
The Many Fictions of Illness: A Rhetorical Approach to Understanding Fictionality in Mom's CancerAntonio J FerraroLiterature and Medicine|December 13, 2021
Pro-slavery Psychiatry and Psychological Costs of Black Women's Enslavement in Harriet Jacobs's Incidents in the Life of a Slave Girl (1861)Diana Martha LouisLiterature and Medicine|December 13, 2021
Against Trauma: Boredom and Obsession in David Foster Wallace's OblivionRob MayoLiterature and Medicine|February 10, 2025
Race, Gender, and Genetic Privacy in Kay Redfield Jamison's An Unquiet Mind and Meri Nana-Ama Danquah's Willow Weep for MeSarah Hagaman, Jay ClaytonLiterature and Medicine|February 10, 2025
An Appetite for Injection: Addiction, Gender, and Race in Arthur Conan Doyle's The Sign of Four (1890)Hannah MarkleyLiterature and Medicine|February 10, 2025
"The Shock Which the Sound Produced": Bodies, Trauma, and the Audible World in Charles Brocken Brown's WielandKristie A SchlauraffPageof 17