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Medical Humanities|March 22, 2015
Who speaks for whom? Health humanities and the ethics of representationRebecca GardenMedical Humanities|August 16, 2012
A review of qualitative methodologies used to explore patient perceptions of arts and healthcareHilary Moss, Claire Donnellan, Desmond O'NeillMedical Humanities|May 4, 2023
Authority and medical expertise: Arthur Conan Doyle in The IdlerAnne ChapmanMedical Humanities|April 21, 2021
Environmental racialisation and poetics of influence in the postgenomic era: fire, soil, spiritLara ChokseyMedical Humanities|April 24, 2021
'Creative Ferment': abortion and reproductive agency in Bessie Head's Personal Choices trilogyCaitlin E StobieMedical Humanities|May 30, 2014
Anxieties of communication: the limits of narrative in the medical humanitiesClaire Charlotte McKechnieMedical Humanities|July 8, 2020
Writing autohistoria-teoría: agency and illness in German life narratives by Evelyne Leandro and Mely KiyakKatja HergesMedical Humanities|August 5, 2020
The haunted heart and the Holy Ghost: on retrieval, donation and deathJoshua HordernMedical Humanities|November 10, 2012
Good grief: bereavement literature for young adults and A Monster CallsGiskin DayMedical Humanities|September 12, 2021
Faecal microbiota transplants: towards a healthy disgust scepticismJessica HoufPageof 106