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Renaissance Quarterly|March 5, 2004
The sorbonnic trots: staging the intestinal distress of the roman catholic church in French Reform TheaterJeff PerselsRenaissance Quarterly|November 2, 2007
Opening the queen's closet: Henrietta Maria, Elizabeth Cromwell, and the politics of cookeryLaura Lunger KnoppersRenaissance Quarterly|November 2, 2007
Concepts of childhood: what we know and where we might goMargaret L KingRenaissance Quarterly|December 15, 2011
Dead infants, cruel mothers, and heroic popes: the visual rhetoric of foundling care at the hospital of Santo Spirito, RomeDiana Bullen PresciuttiRenaissance Quarterly|February 23, 2002
Competing visions of the state and social welfare: the Medici Dukes, the Bigallo magistrates, and local hospitals in sixteenth-century TuscanyN TerpstraRenaissance Quarterly|June 18, 2010
Open elite? Social mobility, marriage, and family in Florence, 1282-1494John F PadgettRenaissance Quarterly|February 25, 2009
Annibal Caro's after-dinner speech (1536) and the question of Titian as Vesalius's illustratorPatricia Simons, Monique KornellRenaissance Quarterly|February 25, 2009
Exercises for mind and body: Giulio Mancini, collecting, and the beholding of landscape painting in the seventeenth centuryFrances GageRenaissance Quarterly|June 10, 2010
A pair of little gilded shoes: commission, cost, and meaning in Renaissance footwearMichelle O'MalleyRenaissance Quarterly|September 16, 2009
"A pattern, precedent, and lively warrant": emulation, rhetoric, and cruel propriety in "Titus Andronicus."Vernon Guy DicksonPageof 3