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The Journal of the American Academy of Psychoanalysis|August 29, 2002
Afterword to Krazy: George Herriman's Krazy Kat cartoon and its appeal to E. E. CummingsDavid V ForrestThe Journal of the American Academy of Psychoanalysis|August 29, 2002
Psychoanalytic peregrinations. II: Psychoanalysis as science and artRichard D ChessickThe Journal of the American Academy of Psychoanalysis|October 23, 2002
Women with PTSD: the psychodynamic aspects of psychopharmacologic and "hands-on" psychiatric managementSharon SagemanThe Journal of the American Academy of Psychoanalysis|June 18, 2002
Psychoanalytic peregrinations I: Transference and transference neurosis revisitedRichard D ChessickThe Journal of the American Academy of Psychoanalysis|February 25, 2003
Terrorism, our world and our way of lifeEmmanuel G CassimatisThe Journal of the American Academy of Psychoanalysis|February 25, 2003
Interpersonal psychoanalysis' radical façadeIrwin HirschThe Journal of the American Academy of Psychoanalysis|February 25, 2003
A Lacanian explanation of Karon's and Villemoes's successful psychodynamic approaches to schizophreniaWilfried Ver EeckeThe Journal of the American Academy of Psychoanalysis|February 25, 2003
Isaac versus Oedipus: an alternative viewKalman J KaplanThe Journal of the American Academy of Psychoanalysis|October 23, 2002
Psychoanalysis and visual art: a female painter and her dilemmaRuth LijtmaerThe Journal of the American Academy of Psychoanalysis|October 23, 2002
The experience of borderline phenomena through cinema: Guentin Tarantino's Reservoir dogs, true romance, and pulp fictionDonald R Ross, Marcus FaveroPageof 25