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The Psychoanalytic Quarterly|August 6, 2025
There is No Usual Way: Editor's Introduction to Seven Papers on Endings in AnalysisSteven H GoldbergThe Psychoanalytic Quarterly|April 30, 2025
"Self-Slaughter": Gary Fisher's Racialized Fantasies Bridge Black Studies And PsychoanalysisIsaac Jean-FrancoisThe Psychoanalytic Quarterly|April 15, 2025
Between Past and Present: on the Psychoanalytic Preoccupation with Memories and Life HistoryMichel ThysThe Psychoanalytic Quarterly|April 15, 2025
Toward Eradicating the Unbearable: The Dangerous Allure of Fascistic States of MindMichael J DiamondThe Psychoanalytic Quarterly|April 15, 2025
Learning from Vermeer: What "The Allegory of Painting" Means for Clinical TheoryJ David MillerThe Psychoanalytic Quarterly|August 9, 2023
I Can't Forget What You Couldn't Tell Me: A Psychoanalyst Listens to Asylum SeekersNanette C AuerhahnThe Psychoanalytic Quarterly|April 19, 2002
Flaubert's Madame Bovary: a study in envy and revengeJacob A Arlow, Francis D BaudryPageof 106