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The Psychoanalytic Quarterly|October 1, 1996
Winnicott goes to the movies: the false self in Ordinary PeopleK M NewmanThe Psychoanalytic Quarterly|April 5, 2008
On knowing oneself directly and through othersLucy La FargeThe Psychoanalytic Quarterly|June 3, 2008
Berlioz's Symphonie Fantastique: enriching psychoanalytic views of creativityDaniel S MollodThe Psychoanalytic Quarterly|June 3, 2008
Dalí's homage to Rothko: a defense against fusion with the victimJohn J HartmanThe Psychoanalytic Quarterly|June 3, 2008
Sublimation and das Ding in Mahler's Symphony no. 8John P MullerThe Psychoanalytic Quarterly|October 23, 2003
Catalyzing the dialogue between the body and the mind in a psychotic analysandRiccardo LombardiPageof 106