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I-Perception|March 16, 2023
Connecting the beholder with the artwork: Thoughts on gaining liveliness by the usage of paraphernaliaClaus-Christian CarbonI-Perception|November 21, 2025
Concentric chromatic gradient affects color appearance of central targetsTama Kanematsu, Hiroyuki ItoI-Perception|February 12, 2026
Me and my shadow: Elongated sunset shadows disrupt size constancySae Kaneko, Stuart AnstisI-Perception|November 10, 2025
Can DNN models simulate appearance variations of #TheDress?Ichiro Kuriki, Hikari Saito, Rui Okubo, et al.I-Perception|October 22, 2019
Processing of Painful Pictures in Individuals With High and Low Rejection Sensitivity: Evidence From Event-Related PotentialsWu Qinqin, Ran Guangming, Zhang Qi, et al.I-Perception|April 15, 2020
Influence of Number Location on the SNARC Effect: Evidence From the Processing of Rotated Traditional Chinese Numerical WordsZhiwei Wang, Xiaotong Zhu, Yingjie JiangI-Perception|August 18, 2025
How face-like objects and averted gaze faces orient our attention: The role of global configuration and local featuresZiwei Chen, Mengxin Wen, Xun Liu, et al.I-Perception|June 11, 2020
Abutting Objects Warp the Three-Dimensional Curvature of Modally Completing SurfacesPeter U TseI-Perception|June 12, 2020
The Way I Paint-How Image Composition Emerges During the Creation of Abstract ArtworksChristoph RediesPageof 96