撮影者のレンズを通してキナエステティックな共感:創造の行為における生理学的および現象学的アライメント
William Primett1, Ksenia Mukhina1, Mehmet Burak Yilmaz1
1Baltic Film, Media, Arts and Communication School, Tallinn University, Tallinn, Estonia.
Frontiers in neuroscience
|September 2, 2025
まとめ
シネマトグラファーは撮影中に双方向の共感的なエンゲージメントを経験し,体現された意思決定を通して感情的な理解に影響を与えます. この研究は映画における 感覚的共感を研究しています
科学分野:
- 人とコンピュータの相互作用
- 感情的コンピューティング
- 映画研究
背景:
- 映画の物語は生理学的データによって裏付けられた 感情を真摯に描いています
- 感情的コンピューティングは 感情的な関わりを 単方向的に捉えます
- 既存の研究は 感情的なコンテンツの共同創造における 撮影者の積極的な役割を無視しています
研究 の 目的:
- 撮影中の感情的な関わり方について 撮影者の視点から調べる
- 撮影者と俳優の双方向的なやり取りを探求する
- 映画制作における感情的および運動的反応の分析のための枠組みを導入する.
主な方法:
- 6人のカメラマンから集めたマルチモダルのデータ (動き,生理学,第一人称)
- 視覚化のための現象学的データ エクスプローラー・フレームワークを開発した.
- 視覚的知覚や 感覚運動パターンや 物語の構造を分析した
主要な成果:
- 映画のストーリーテリングにおける 共感的な関与の双方向性を特定した.
- 撮影者の知覚が イメージにどのように影響するかを示した.
- 意思決定における 感覚共感の役割を強調した.
結論:
- 映画のストーリーテリングには ダイナミックで双方向の 共感的なつながりがあります
- 撮影中に生体化された反応を通して 感情的な理解を形作ります
- この研究は よりインタラクティブで 感情的に共鳴する メディア体験のデザインを促します
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