方法と介入としての伝達:ジャアド・クユース (Meghann O'Brien) の織られた作品
Hannah Turner1, Kate Hennessy2
1University of British Columbia, Vancouver, Canada.
まとめ
芸術家ジャアド・クウジュスが
科学分野:
- 原住民の研究
- デジタル・ヒューマニティ
- ミュージアム研究
背景:
- 先住民族のアーティストは 作品を共有するために デジタルテクノロジーをますます利用しています
- 伝統的な先住民族の芸術形式は 編み物のように デジタル表現の課題に直面しています
- 現存する博物館やアーカイブの慣行は,先住民族のデジタル芸術を十分にサポートしていないかもしれません.
研究 の 目的:
- ジャアド・クウジュスの 織物の伝達を 調べるため
- 物理的・仮想的な空間における先住民族のキュレーターとしての実践を探求する.
- ミュージアムとアーカイブの脱植民地化方法として,トランスメディアを提案する.
主な方法:
- リサーチ・クリエーションと 共同メディア制作
- ジャード・クウジュスの作品の分析
- デジタルと物理的な環境における先住民族のキュレーションの事例研究
主要な成果:
- トランスメディエーションは ミュージアムを脱植民地化する 新しいアプローチを提示しています
- デジタル・エンゲージメントは 単純複製を超えて 新しい理論的可能性を育むことができます
- 共同メディア制作は,アーカイブにおける先住民族の代表性を高めます.
結論:
- ミュージアムやアーカイブにとって 伝媒は有効な脱植民地化手法です
- デジタル技術は先住民族の芸術や キュレーターとしての実践を支援するために活用できます
- 博物館におけるデジタルメディアの創造的可能性に関するさらなる研究が必要である.
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