听当代艺术音乐:一种形态动力学认知模型
1Centre for the Study of the Sociology and Aesthetics of Music -CESEM, Nova University Lisbon, Portugal.
Journal of cognition
|July 10, 2023
概括
这项研究表明,以声音为基础的音乐通过动态的"图像模式"在现象上吸引听众. 形态动力学理论解释了这些声音模式如何将物理世界与象征性理解联系起来,从而增强音乐认知.
科学领域:
- 认知科学 认知科学
- 音乐学 音乐学 音乐学
- 声学语音学的声音学
背景情况:
- 基于声音的音乐类型,如后光谱主义和电脑故障,带来了独特的听力挑战.
- 传统的分析框架可能无法完全捕捉这些类型引起的感知和认知参与.
- 了解听众参与对于欣赏当代声音艺术和实验音乐至关重要.
研究的目的:
- 提出一种连接主义的认知框架,使用形态动力学理论,以理解听基于声音的音乐.
- 分析基于声音的音乐的特定特征所涉及的感知和认知机制.
- 通过听力调查来调查声音模式和图像模式之间的功能异构.
主要方法:
- 对基于声音的音乐特征的分析 (后光谱主义,电器故障,电声音乐,声音艺术).
- 形态动力学理论的应用,以解释声音模式的感知和认知处理.
- 进行听力调查,以检查声音模式和图像模式之间的同态性.
主要成果:
- 这种音乐中的声音模式通过体现 Gestalt 和动感原则的"图像模式"以现象学方式吸引听众.
- 这些图像图表代表了物理存在的力量和紧张 (例如,人物背景,强迫).
- 在听众的感知中,在声音模式和图像模式之间发现了一个功能性异构.
结论:
- 形态动力学理论为理解基于声音的音乐的认知处理提供了一个强大的框架.
- 这种音乐充当了声学物理世界与连接主义模型中的象征性表征之间的桥梁.
- 这些发现为访问和理解当代听力实践提供了新的途径.
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