漂浮的艺术 漂浮的艺术
Emily A Cooper1,2, Roberto Casati3,4, Hany Farid1,5
1University of California, Berkeley, Berkeley, CA, USA.
Journal of vision
|August 16, 2023
概括
从历史上看,艺术家们使用阴影来定物体. 然而,在没有阴影的情况下,艺术家们依靠表面支线索来防止物体看起来漂浮,这种技术得到了实验结果的证实.
科学领域:
- 视觉感知 视觉感知 视觉感知
- 艺术史 艺术史 艺术史
- 心理学 心理学 心理学
背景情况:
- 艺术家在2000多年来一直使用影子来描绘物体的定位.
- 一个1000年的艺术时期缺乏投影,这引发了关于物体放置如何传达的问题.
研究的目的:
- 为了调查艺术家如何描绘物体定没有投影的影子.
- 测试表面吸引和支持视觉感知的原理.
主要方法:
- 调查了用和没有投影的对象的定艺术技术.
- 在不同的表面 (地板,1 / f噪声) 上使用木盒进行实验,有和没有投影.
主要成果:
- 物体被视为在表面上休息,提供地面定位和支持,即使没有阴影.
- 模糊的表面导致物体看起来漂浮而没有阴影.
- 投射阴影始终固定对象,无论表面的定义.
- 影子和表面都支持改进对象倾斜的检测.
结论:
- 从历史上看,艺术家们利用表面支线索来在没有投影的情况下固定物体.
- 视觉感知依赖于投影和表面支信息来使物体接地.
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