多式艺术比喻:研究撒丁岛艺术的艺术体
Alice Guerrieri1,2, Francesca Ervas1, Elisabetta Gola1
1Department of Education, Psychology, Philosophy, University of Cagliari, Cagliari, Italy.
Frontiers in psychology
|September 25, 2023
概括
撒丁岛艺术中的艺术隐喻使用多式元素,如视觉和触觉组件,以传达美丽和意义. 了解这些复杂的艺术比喻提供了独特的学习机会,并揭示了文化原型.
科学领域:
- 审美学 在审美学方面
- 艺术史 艺术史 艺术史
- 语义学是一种语义学.
背景情况:
- 艺术比喻具有美学价值和美丽.
- 与视觉隐喻相比,它们提出了独特的解释挑战,具有模两可的源/目标领域.
- 现有的文学缺乏一个全面的框架来分析艺术隐喻.
研究的目的:
- 定义艺术隐喻,并在艺术背景下探索它们的多模式特性.
- 提出基于美学和哲学原则的艺术隐喻的分类系统.
- 用这些类别来分析撒丁岛的艺术品,以了解它们的比喻意义.
主要方法:
- 艺术比喻的概念定义.
- 由亚里士多德和康德的类别 (时间,空间,脱上下文化,形式的融合) 启发的分类框架的开发.
- 该框架应用于撒丁岛艺术品的集合体.
主要成果:
- 多模式组件 (视觉,触觉,听觉) 增强对艺术隐喻的理解.
- 拟议的类别有效地描述了撒丁岛艺术中的艺术隐喻.
- 艺术比喻刺激了原创的学习和对岛屿符号的知识.
结论:
- 艺术隐喻是复杂的,多模式的现象,具有重要的美学和认知价值.
- 拟议的分类为艺术隐喻提供了一个新的分析工具.
- 撒丁岛的艺术比喻提供了一个丰富的来源,通过多模式来理解文化认同和原型.
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