通过高速数字成像观察到哨子注册表的声振动
Hikari Kato1, Yogaku Lee2, Kohei Wakamiya3
1Graduate School of Design, Kyushu University, 4-9-1 Shiobaru, Minami-ku, Fukuoka 815-8540, Japan.
Journal of voice : official journal of the Voice Foundation
|October 8, 2023
概括
歌手使用多种不同的声振动模式来产生哨子记录,而不仅仅是假音的延伸. 这项研究确定了耳环中的新型振动模式,用于口哨注册音声.
科学领域:
- 声乐曲线的动态 声乐曲线的动态
- 声学语音学的声音学.
- 唱歌的声音科学
背景情况:
- 笛子记录被歌手用于1000赫兹以上的基本频率.
- 之前的研究观察到在口笛记录中不同的声振动 (完全/不完全闭合,部分振动).
- 由于成像的局限性,对口笛记录器的精确声振动机制尚不清楚.
研究的目的:
- 为了研究和描述在口笛记录音调过程中的声振动.
- 为了阐明口哨记录中球运动的时空模式.
主要方法:
- 高速数字成像 (超过10,000/秒) 记录了六位歌手 (四位女性,两位男性) 的球动态.
- 同时录制音频信号.
- 分析包括地形,喉区域波形,谱图和声振动图来绘制喉运动图.
主要成果:
- 确定了六种不同的声振动模式.
- 模式包括完整的声振动和完整的闭合,以及不完全闭合的变化 (不同喉部位的间隙).
- 还观察到了部分声振动的新型模式,支持并扩展了之前的发现.
结论:
- 哨子记录器的生产不仅仅是虚假记录器的延伸.
- 制作哨声记录的机制是多方面的和多样化的.
- 这项研究揭示了新的振动模式,有助于吹口哨登记音调.
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