古典歌手也擅长非古典歌唱.
Camila Bruder1, Pauline Larrouy-Maestri1,2
1Department of Music, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Frontiers in psychology
|November 29, 2023
概括
经典歌手表现出令人印象深刻的声乐多功能性,调整他们的歌曲以超越歌剧的流行和摇篮歌风格. 然而,这种适应能力并非如此.
科学领域:
- 声乐教学的教育学
- 音乐表演科学 音乐表演科学
- 声学语音学的声音学
背景情况:
- 经典歌手经过广泛的培训,以特定的声控和声音.
- 专业歌手经常在正式培训之外,以各种风格和场地表演.
- 了解古典歌手对非古典风格的适应能力对于他们的更广泛的职业生涯至关重要.
研究的目的:
- 为了研究古典歌手在不同风格的表演时所做的声乐生产调整.
- 为了将歌手的适应能力与他们正式的声乐训练持续时间和强度相关联.
- 评估由古典歌手表演的歌剧,流行和摇篮歌唱风格的声学和感知特色.
主要方法:
- 22位训练有素的女性古典歌手在歌剧,流行和摇篮歌风格中表演了6首旋律,有和没有歌词.
- 声学分析测量了声音和歌唱表现的七个常见描述因素.
- 50名普通听众在强迫选择实验中评估了792场表演,以确定预期的歌唱风格.
主要成果:
- 声学分析揭示了每个歌唱风格的独特特征,证实了歌手产生截然不同的声音的能力.
- 实现了高的整体风格识别 (78.5%),歌剧 (86%) 和摇篮歌 (80%) 的风格比流行 (69%) 更准确地识别.
- 歌手的多功能性有所变化 (62-83%),但这种变化与正式古典训练的持续时间没有显著联系.
结论:
- 经典歌手拥有显著的声乐多功能性,成功地适应了流行和摇篮歌风格.
- 仅仅是正式培训的持续时间并不能完全解释跨风格歌唱能力的个体差异.
- 需要进一步的研究来探索更广泛的专业和个人经验对歌手适应能力的影响.
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