无家可归的人:图像和想象中的虚构
Juan M Agulles1, Juan A Roche Cárcel2
1University of Alicante, Department of Sociology I, Spain.
Heliyon
|January 23, 2024
概括
无家可归的社会想象正在从个人责任转向结构性问题. 摄影分析显示,人们越来越关注住房危机,这反映了人们对无家可归的理解的更广泛的社会变化.
科学领域:
- 社会学 社会学 社会学
- 媒体研究 媒体研究
- 城市研究 城市研究
背景情况:
- 传统上,关于无家可归者的社会想象强调个人因素.
- 更广泛的理解将无家可归视为一种结构性住宅排斥过程.
- 媒体的描绘显著地影响和与这些社会想象互动.
研究的目的:
- 分析无家可归的社会想象和媒体图像之间的关系.
- 为了识别影响无家可归形象的想象力.
- 检查摄影表现如何随着时间的推移而演变.
主要方法:
- 综合的韦伯社会学方法.
- 摄影分析的解释/解释方法.
- 分析记者拉法·阿乔内斯的照片 (阿利坎特,2002-2020年).
主要成果:
- 摄影方法从个人情况转向结构性问题.
- 图像越来越突出无家可归的矛盾和结构性质.
- 展现了对质疑和揭露住房获取危机的态度.
结论:
- 摄影证据与社会转向理解无家可归的结构性转变保持一致.
- 媒体图像在塑造和反映社会想象中起着至关重要的作用.
- 这项研究强调了围绕无家可归和住房排斥的不断变化的话语.
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