共感和莱昂纳多·达·芬奇的艺术
Samira Schultz Mansur1, Javier DeFelipe2,3
1Department of Morphological Sciences, Biological Science Center, Federal University of Santa Catarina, Florianópolis, Brazil.
Frontiers in psychology
|March 25, 2024
概括
这项研究探讨了艺术中的同理心,其根源源于德国浪漫主义和达芬奇的文艺复兴作品. 它考察了艺术如何表达情绪,并通过审美体验连接观众.
科学领域:
- 艺术史 艺术史 艺术史
- 审美学 在审美学方面
- 艺术哲学 艺术哲学
背景情况:
- 艺术欣赏中的同情心的概念起源于德国浪漫主义和"einfühlung"一词.
- 达芬奇的作品是艺术,科学,自然和人体解剖学之间的联系的典范.
- 艺术表达,特别是在绘画中,是传达心理话语和情感的媒介.
研究的目的:
- 从艺术的角度来描述同情心.
- 探索同情心在德国浪漫主义的起源.
- 分析莱昂纳多·达芬奇的艺术及其与同理心的关系.
主要方法:
- 艺术和哲学概念的历史分析.
- 检查文艺复兴时期的艺术,特别是达芬奇的作品.
- 审美理论的解释和艺术欣赏.
主要成果:
- 术语"感觉"描述了观众对艺术作品的投影,培养了情感联系.
- 莱昂纳多·达芬奇的艺术融合了科学观察与艺术敏感度,以表达情绪和心理状态.
- 德国浪漫主义者认识到同情心和对艺术的欣赏之间的联系.
结论:
- 共感是理解艺术表达和观众参与的关键因素.
- 达芬奇对艺术的看法强调了观察,情感和美学体验之间的深厚联系.
- 这项研究强调了艺术中的同情心的历史和哲学基础.
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