乐器作为动态声音来源的乐器
David Ackermann1, Fabian Brinkmann1, Stefan Weinzierl1
1Audio Communication Group, Technische Universität Berlin, Einsteinufer 17c, 10587 Berlin, Germany.
The Journal of the Acoustical Society of America
|April 1, 2024
概括
由于音符的选择和音乐家的运动,乐器表现出动态的方向性. 这些因素显著改变了声音感知,特别是在虚拟声学环境中,影响了音色和房间声学.
科学领域:
- 声学 声学 在声学方面
- 音乐 技术 音乐 技术
- 精神声学是一种精神声学.
背景情况:
- 乐器具有时间变化的定向性,与静态电声源不同.
- 之前的研究主要集中在静态仪器指导性对特定的注意事项.
研究的目的:
- 调查依赖音符的辐射和音乐家运动对仪器方向性的时间调制的单独和综合影响.
- 分析这种调制对音色和房间声学激发的影响.
主要方法:
- 典型的管弦乐乐器运动模式的运动跟踪.
- 在所有部分的全音程范围内进行导向性测量.
- 在自由场和反响条件下进行光谱变异分析.
- 房间声学参数的调制分析.
主要成果:
- 音符依赖的辐射和音乐家的运动都显著调节了乐器的方向性.
- 这些调制导致光谱变化,并改变房间的声学激发.
- 观察到的效应超过了所有仪器和感知变量仅仅是明显的差异.
- 在铜管乐器中,运动的影响占主导地位;在弦乐和木风乐器中,与音符相关的差异显著.
结论:
- 动态定向是实现现实的声音再现的关键因素.
- 虚拟声学现实需要考虑这些时间调节,以达到听觉现实.
- 对于准确的虚拟声学,需要考虑特定于仪器的因素 (运动与音符).
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