照顾/与现代主义玩具:在田纳西·威廉姆斯的玻璃餐厅中摆动物体
1University of York, York, UK. ikrishna284@gmail.com.
The Journal of medical humanities
|May 29, 2024
概括
现代主义文学的特点是通过动与物体接触的角色. 这种与个人物品的触觉互动使他们能够抵制压迫性的社会规范和生产力需求.
科学领域:
- 文学研究 文学研究
- 文化研究 文化研究
- 对象关系理论对象关系理论
背景情况:
- 现代主义文学经常描绘人物与小的个人物品互动.
- 这种参与范围从收集和触摸到更疯狂的吸收.
- 例如包括伍尔夫的"固体物体",劳伦斯的"儿子和情人"和威廉姆斯的"玻璃客".
研究的目的:
- 分析现代主义文学和戏剧中的动现象.
- 探索人物与物体之间的关系如何抵御社会压力.
- 将动重新定义为体现拒绝的行为和代理的场所.
主要方法:
- 密切阅读关键的现代主义文本,专注于动和对象交互的实例.
- 分析角色与"玩具"的关系,作为一种关心和抵抗的形式.
- 在更广泛的现代主义主题中对正常性,生产力和排斥进行上下文化.
主要成果:
- 动摇意味着不仅仅是对象的占有,而是角色被他们占有.
- 这种互动使得角色能够从正常和生产力的压迫性叙述中撤退.
- 劳拉·温菲尔德在"玻璃牧场"中与她的玻璃牧场的关系是这种抵抗的典范.
结论:
- 在现代主义文学中,对物体的动提供了一种替代的代理和抵抗形式.
- 这些"护理对象"挑战了排斥的配置和男性驱动的叙述.
- 重构动强调了它在女权主义和残疾研究中的激进潜力.
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