在业余福音派歌手的音乐表演焦虑和声音障碍
Ana Maria Costa Silva1, Gabriel Trevizani Depolli2, Elma Heitmann Mares Azevedo1
1Speech-Language Pathology Department, Universidade Federal do Espírito Santo-UFES, Vitória, ES, Brazil.
概括
这项研究发现,声乐升温和降温与业余福音派歌手的更好的声乐自我感知有关. 然而,音乐表演焦虑 (MPA) 与这个群体的声乐障碍分数没有直接相关.
科学领域:
- 职业教育学和绩效心理学.
- 音乐认知和听力学.
背景情况:
- 业余福音歌手经常面临独特的表演压力.
- 了解音乐表演焦虑 (MPA) 和声乐自我感知之间的相互作用对这个人群至关重要.
研究的目的:
- 在业余福音派歌手中比较和关联MPA和声乐自我感知.
- 在这个特定的群体中探索焦虑和绩效方面之间的关系.
主要方法:
- 这是一项涉及75名业余福音歌手 (年龄在18-59岁) 的横截面定量研究.
- 通过问卷,肯尼音乐表演焦虑库存 (K-MPAI) 和唱歌声障碍指数 (S-VHI) 收集的数据.
- 统计分析包括描述性统计,克鲁斯卡尔-瓦利斯和斯皮尔曼的相关性测试 (P <0.05).
主要成果:
- 表演后的声乐升温/降温和声乐不适与S-VHI分数相关.
- "比声音大声的乐器"与K-MPAI分数相关.
- 平均K-MPAI得分为85.12 (SD ±36.6);平均S-VHI得分为45.22 (SD ±32.3).
结论:
- 语音升温和降温实践对语音自我感知 (较低的S-VHI) 有积极的影响.
- 表演后的声乐不适与较高的声乐障碍 (较高的S-VHI) 有关.
- 在MPA (K-MPAI) 和声乐障碍 (S-VHI) 之间没有发现显著的相关性,这表明不同的因素影响了这些方面.
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