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相关概念视频

Sound Waves: Resonance01:14

Sound Waves: Resonance

2.6K
Resonance is produced depending on the boundary conditions imposed on a wave. Resonance can be produced in a string under tension with symmetrical boundary conditions (i.e., has a node at each end). A node is defined as a fixed point where the string does not move. The symmetrical boundary conditions result in some frequencies resonating and producing standing waves, while other frequencies interfere destructively. Sound waves can resonate in a hollow tube, and the frequencies of the sound...
2.6K
Concept of Resonance and its Characteristics01:19

Concept of Resonance and its Characteristics

5.0K
If a driven oscillator needs to resonate at a specific frequency, then very light damping is required. An example of light damping includes playing piano strings and many other musical instruments. Conversely, to achieve small-amplitude oscillations as in a car's suspension system, heavy damping is required. Heavy damping reduces the amplitude, but the tradeoff is that the system responds at more frequencies. Speed bumps and gravel roads prove that even a car's suspension system is not...
5.0K
The Auditory Ossicles01:11

The Auditory Ossicles

1.6K
The auditory ossicles of the middle ear transmit sounds from the air as vibrations to the fluid-filled cochlea. The auditory ossicles consist of two malleus (hammer) bones, two incus (anvil) bones, and two stapes (stirrups), one on each side. These bones develop during the fetal stage and are the ones to ossify first. They are fully mature at birth and do not grow afterward.
The aptly named stapes look very much like a stirrup. The three ossicles are unique to mammals, and each plays a role in...
1.6K
Resonance and Hybrid Structures02:16

Resonance and Hybrid Structures

16.6K
According to the theory of resonance, if two or more Lewis structures with the same arrangement of atoms can be written for a molecule, ion, or radical, the actual distribution of electrons is an average of that shown by the various Lewis structures.
Resonance Structures and Resonance Hybrids
The Lewis structure of a nitrite anion (NO2−) may actually be drawn in two different ways, distinguished by the locations of the N–O and N=O bonds.
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Resonance in an AC Circuit01:26

Resonance in an AC Circuit

2.0K
The property of an inductor makes it resist any change in the current passing through it, while the property of a capacitor is to build up the charge across its terminals. Hence, if an inductor and capacitor are connected in series, they have opposite effects on the relative phase between current and voltage. The current through the circuit undergoes forced oscillation at the frequency of the source. The resistance term in an R-L-C circuit acts as a damping term because power is dissipated...
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Beats01:09

Beats

518
The study of music provides many examples of the superposition of waves and the constructive and destructive interference that occurs. Very few examples of music being performed consist of a single source playing a single frequency for an extended period of time. A single frequency of sound for an extended period might be monotonous to the point of irritation, similar to the unwanted drone of an aircraft engine or a loud fan. Music is pleasant and exciting due to mixing the changing frequencies...
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相关实验视频

Updated: Jun 16, 2025

fMRI Mapping of Brain Activity Associated with the Vocal Production of Consonant and Dissonant Intervals
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fMRI Mapping of Brain Activity Associated with the Vocal Production of Consonant and Dissonant Intervals

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卡里昂的共音 在卡里昂.

Peter M C Harrison1, James M C MacConnachie1

  • 1Centre for Music and Science, Faculty of Music, University of Cambridge, Cambridge, United Kingdom.

The Journal of the Acoustical Society of America
|August 15, 2024
PubMed
概括

真正的乐器音调,与人造音调不同,会改变对声的感知. 像大三这样的传统辅音变得不和,揭示了声学复杂性对听觉感知的影响.

科学领域:

  • 精神声学是一种精神声学.
  • 音乐心理学 音乐心理学
  • 听觉感知是一种听觉感知.

背景情况:

  • 之前关于音乐共的研究依赖于人造音色,限制了生态有效性.
  • 真正的乐器的声学复杂性,特别是它们的频谱,可能会以不同的方式影响对声的感知.

研究的目的:

  • 研究真实乐器音调的声学复杂性如何影响音乐间隔的感知.
  • 在连续的间隔范围内使用旋音调检查和和不和声.

主要方法:

  • 对113名参与者进行了一项"密集评分"实验,评分间隔从0-15半音.
  • 使用了来自Westerkerk Carillon的音调,捕捉了一个真正的乐器的光谱复杂性.
  • 运用计算建模来分析光谱干扰和和性对感知共的贡献.

主要成果:

  • 传统的辅音,如大三和小六,在使用旋音调时被认为是不和的.
  • 发现小的音乐间隔 (0.5-2.5半音) 特别不和.
  • 部分音符之间的干扰 (例如,殴打) 被确定为改变和声的首要原因,以及对和声的偏好.

结论:

  • 现实乐器的光谱特征对辅音感知有很大的影响,挑战了以往基于人造音调的研究结果.

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  • 结果支持音乐家们关于旋独特的听觉品质的事证据.
  • 该研究强调了光谱干扰对辅音感知的重要性,为听觉心理学中的持续辩论做出了贡献.