环境爱罗斯:芭芭拉·汉默的电影作为"创造性地理"
1Assistant Professor of Women's, Gender, and Sexuality Studies, Agnes Scott College, Decatur, Georgia, USA.
Journal of lesbian studies
|October 12, 2024
概括
探索20世纪70年代的女同性恋电影揭示了"环境爱罗斯",自然激发了超越性爱的色情联系. 这种生态性爱伦理为生态女权主义和环境政治提供了洞察力.
科学领域:
- 生态女权主义生态女权主义
- 电影研究 电影研究
- 环境人文学科 环境人文学科
背景情况:
- 奥德·洛尔德 (Audre Lorde) 关于色情作为力量的概念经常被误解,并与精神和感官体验分开.
- 启蒙思想在历史上将精神与色情分开,导致了狭窄的,性化的定义.
- 1970年代的女同性恋女权主义美学为探索对色情的替代理解提供了丰富的基础.
研究的目的:
- 通过检查电影制片人芭芭拉·汉默的作品来界定一个"环境爱情".
- 为了证明大自然是如何在Hammer的电影中作为色情灵感和物种间联系的来源.
- 挑战对女同性恋女权主义电影作为逃避主义的批评,并争辩其与当代生态思想的相关性.
主要方法:
- 对芭芭拉·汉默的电影进行了密切的阅读:Dyketactics (1974),我爱的女人 (1976) 和多次性高潮 (1976).
- 应用女权主义电影理论和现象学方法.
- 分析自然环境作为电影叙事和美学中的活跃元素.
主要成果:
- 汉默的电影揭示了对色情的广泛,感官理解,与自然世界密切相关.
- 在这些电影作品中,自然环境作为主体性和关系性的共同创造者.
- 一个"生态性爱伦理"出现了,挑战了以人类为中心的观点,并强调了物种间的联系.
结论:
- 巴巴拉·哈默的电影为了解环境侵蚀及其对生态女权主义的潜力提供了一个重要的框架.
- 该研究将女同性恋女权主义电影重新定义为当代环境政治的基础文本,而不是遗迹.
- 重新将色情与自然的精神和感官方面联系起来,对于生态意识和行动至关重要.
关键词:
奥德里·洛德 (Audre Lorde) 是一个伟大的诗人.芭芭拉·哈默 (Barbara Hammer) 是一个著名的演员.埃洛斯 (Eros) 是一种情感.生态女权主义生态女权主义新的物质主义.更多相关视频
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