进入埋藏的过去的后路:爱尔兰边境流动和叙事电影
Lennart Soberon1, Kevin Smets1
1Department of Communication Studies, Vrije Universiteit Brussel, Brussels, Belgium.
概括
电影制作人在电影中利用爱尔兰边境来探索国家身份和创伤. 本研究分析了爱尔兰电影中三种类型的边境流动,以了解边境.
科学领域:
- 电影研究 电影研究
- 文化地理学 文化地理学
- 爱尔兰研究 爱尔兰研究
背景情况:
- 爱尔兰边境是电影制作中的一个强有力的象征,反映了历史冲突和民族身份.
- 之前的研究还没有系统地分析爱尔兰边境的电影表现及其主题意义.
研究的目的:
- 创建一个关于爱尔兰边境的电影的完整档案.
- 分析电影制作人如何利用爱尔兰边境来探索身份,归属和创伤的主题.
- 为了分类和理解电影中描绘的不同类型的边境流动.
主要方法:
- 汇编了边境电影档案,涵盖了爱尔兰边境的电影表现.
- 仔细阅读和对43部以爱尔兰边境为主题的叙事小说电影 (1937-2021) 的文本分析.
- 区分和分析三个边境流动:越境,边境居住和边境 (重新) 访问.
主要成果:
- 识别了三种不同的电影边境流动:穿越,居住和重新访问.
- 展示这些流动性如何为电影制作人提供各种叙事,形式和意识形态目的.
- 对爱尔兰边境在电影叙事中的多方面的作用有细微的了解.
结论:
- 对爱尔兰边境的电影表现对于理解国家身份,归属和创伤至关重要.
- 边境流动的分类为分析边境电影遗产提供了一个新的框架.
- 这项研究提高了我们对爱尔兰边境如何作为电影环境和主题设备的理解.
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