创作方法的社会生活:电影制作,叙事和恢复
Nicole Vitellone1, Lena Theodoropoulou2, Melanie Manchot3
1AF Warr Senior Lecturer in Sociology, Department of Sociology, Social Policy and Criminology, University of Liverpool, Liverpool, UK.
The British journal of sociology
|December 28, 2024
概括
这项研究探讨了德鲁兹神话作为社会学中理解药物和酒精恢复的创造性方法. 它提出了一个以艺术为基础的研究议程,为抵制污名化的替代性恢复叙事提供了替代性的恢复叙事.
科学领域:
- 社会学 社会学 社会学
- 电影研究 电影研究
- 基于艺术的研究.
背景情况:
- 对药物和酒精恢复的研究通常依赖于传统的方法.
- 污名化仍然是个体在康复的重大障碍.
- 跨学科的合作为复杂的社会问题提供了新的方法.
研究的目的:
- 调查德鲁兹神话对研究药物和酒精恢复的理论和方法的影响.
- 通过参与创造性方法的社会生活来提出恢复的替代叙事.
- 开发一个以艺术为基础的研究议程,以了解恢复作为自我创造的过程.
主要方法:
- 利用德鲁兹的说法作为理论和方法的框架.
- 借鉴了电影制作人,社会科学家和正在康复中的个人参与的跨学科研究合作的数据.
- 分析故事片"斯蒂芬"中的电影制作实践,作为一种"讲述故事的方式".
主要成果:
- 电影制作实践,当通过Deleuzian寓言来看时,提供了一种抵制污名化的方法.
- 叙事,作为一个小的恢复模式,涉及挑战固定的身份和拥抱创造性过程.
- 该研究强调了电影设备和虚构过程在产生替代恢复叙述方面的潜力.
结论:
- 德鲁兹的寓言提供了一个有价值的框架,用于创新的社会学研究恢复.
- 基于艺术的方法,特别是电影制作,可以挑战污名化,并促进对恢复的新理解.
- 这项研究倡导以艺术为基础的议程,将恢复视为成为的产生过程.
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