在笛子演奏中无意识的高音操纵和传输:对音乐表达和感知的洞察力
1Graduate School of Music, Kunitachi College of Music, Tokyo, Japan.
Frontiers in psychology
|March 6, 2025
概括
笛子的音色是由高音平衡和大声度所塑造的,演奏者可以改变这种结构来表达. 听众可以区分这些音色变化,特别是从中档的专业演奏者.
科学领域:
- 声学 声学 在声学上
- 音乐感知 音乐感知
- 精神声学是一种精神声学.
背景情况:
- 了解笛子音色对于音乐家和声学家来说至关重要.
- 以前的研究已经探索了声学参数,但缺乏与音色感知的全面联系.
- 需要为笛子音色建立一个标准化的词汇.
研究的目的:
- 为了分析笛子的高音结构.
- 研究声学参数的变化如何影响音色感知.
- 在演奏者和听众之间发展对笛子音色的共享理解.
主要方法:
- 长调长笛的主要组件分析 (PCA),重点是高音到第五.
- 有控制的实验涉及玩家产生不同音色的声音.
- 28名参与者进行了听觉实验,以评估音色感知.
主要成果:
- PCA确定了整体上调强度 (PC1) 和特定上调平衡 (PC2,PC3) 作为笛子音色的关键因素.
- 在PCA坐标上的分歧证实了玩家为了表达目的而操纵高音结构.
- 听众可以区分音色,根据演奏家的技能和音乐注册表的感知有所不同.
结论:
- 笛子音色是一个复杂的整体声音和大声平衡的相互作用.
- 音乐家们有意识地修改了艺术表达的高音结构.
- 中位数提供了最具表现力的音色潜力,专业玩家擅长传达预期的音色.
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