响应策略在西方歌剧高音高手的上层范围
Gustavo do Amaral Ambros1, Marta Assumpção de Andrada E Silva1
1Pontifical Catholic University of São Paulo, São Paulo, Brazil.
概括
演艺高音调整声道共振,以增强高音. 虽然在某些范围内使用共振调节,但高音通常具有平衡的和能量,而不是特定的共振调节.
科学领域:
- 声学 声学 在声学方面
- 声乐生理学 声乐生理学
- 音乐表演科学 音乐表演科学
背景情况:
- 唱高音为古典高音提供了生理和声学上的挑战.
- 非线性源-波器相互作用表明,调共振接近波,可以放大声音并防止不连续性.
- 之前的文献描述了音 tessitura 中的共振调音.
研究的目的:
- 为了识别歌剧中高音调歌唱时歌剧中高音调歌手使用的特定共振策略.
- 调查声道共振和调结构之间的关系在高音声音.
主要方法:
- 录制了五位专业的高音男歌手在上升级别 (C3-C5) 中唱出 /a,e,i,o,u/ 的元音.
- 通过反向过提取了第一和第二共振频率.
- 分析了前四个波和歌手的形式区域的幅度.
主要成果:
- 所有元音的共振频率从低音汇聚到高音.
- 在通道中观察到共振调,具有特定的和与共振关系.
- 最高的音符显示出平衡的低波能量;戏剧性的声音有一个强大的歌手的形式.
结论:
- 在较高的音符中,元音分辨率下降.
- 在最高音符中,系统的共振调音并不明显;平衡的波能量更为常见.
- 在调音发生时,没有发现对共振的高于或低于波定位的明确偏好.
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