探索听觉形态动力学:基于声音的音乐中的视听协会
Riccardo Wanke1, Alessandro Ansani2, Nicola Di Stefano3
1University of Coimbra, Portugal.
i-Perception
|July 3, 2025
概括
这项研究揭示了在实验音乐中对视听协会的共享感知标准. 听众始终将基于声音的音乐与基于流性和连续性等特征的抽象图像相匹配.
科学领域:
- 心理学 心理学 心理学
- 音乐学 音乐学 音乐学
- 交叉模式感知 交叉模式感知
背景情况:
- 跨模式研究广泛研究传统音乐类型.
- 基于声音的音乐在跨模式协会中的感知潜力尚未得到充分探索.
- 当代和实验性音乐实践为研究视听感知提供了独特的途径.
研究的目的:
- 调查基于声音的音乐类型中的视听协会,如光谱主义和电子故障.
- 确定隐含的感知标准,指导听众在跨模式感知中的判断.
- 弥合心理学研究中关于基于声音的音乐和跨模式交互的差距.
主要方法:
- 一个在线实验涉及152名参与者.
- 暴露于从光谱主义和电子故障音乐的六个音乐摘录.
- 基于共同特征的音乐和抽象图像之间的视听一致性评分.
主要成果:
- 参与者评级的高度一致性,表明共享的感知标准.
- 确定影响视听协会的关键因素:流性,连续性,数值性,对称性和光谱时间维度.
- 在基于声音的音乐中,Gestalt和形态动力学原理是交叉模式感知的基础.
结论:
- 共同的隐性感知标准,植根于格斯塔尔特和形态动力学特征,支配了基于声音的音乐中的视听协会.
- 这些发现对跨模式研究,音乐学和理解美学体验有影响.
- 未来的研究应该进一步探索使用各种基于声音的音乐类型的视听协会.
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