在虚拟房间和现实房间里唱歌:这是同样的吗?
Pasquale Bottalico1,2, Carly J Wingfield2, Charles J Nudelman1,3
1Department of Speech and Hearing Science, University of Illinois Urbana-Champaign, Champaign, Illinois 61820, USA.
The Journal of the Acoustical Society of America
|November 3, 2025
概括
唱歌的人唱歌的人唱歌
科学领域:
- 声学语音学的声音学
- 声乐教学的教育学
- 虚拟现实 虚拟现实 虚拟现实
背景情况:
- 歌手适应声乐生产声乐环境.
- 了解虚拟声学如何影响唱歌对于开发沉浸式训练工具至关重要.
研究的目的:
- 调查虚拟和现实房间声学对歌手声乐表现的影响.
- 在各种传感条件下分析振动速率,振动程度和质量比.
主要方法:
- 十位经过古典训练的歌手在三个真实和三个虚拟声学空间中演奏了一首歌曲.
- 测试了四种感官条件:真实,仅有音频,仅有视觉和视听虚拟现实 (VR).
- 分析了语音参数和感知到的语音支持.
主要成果:
- 与真实房间相比,虚拟条件中的振动范围和速率显示出适度的变化,但差异仅在可以察觉的范围内.
- 在没有听觉反的情况下,感知到唱歌声音的支持性显著下降.
- 虚拟现实 (VR) 声现显示出复制真实声学环境的潜力.
结论:
- 基于虚拟现实 (VR) 的声化可以近似于歌手的感知和声学结果的真实声学环境.
- 听觉反对于歌手对声音支持的感知至关重要.
- 需要对更大群体进行进一步的研究,以确认关于自身感应和语音支持的发现.
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