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艺术超越认知:通过社会连接和文化传播重新构建尼安德特人艺术
Larissa Straffon1, Claudio Tennie2
1Faculty of Psychology, Department of Psychosocial Science, SFF Centre for Early Sapience Behaviour, SapienCE, University of Bergen, Bergen, Norway.
Evolutionary human sciences
|November 27, 2025
概括
早期的视觉艺术,包括颜料使用和雕刻,是由社会动态和人口密度驱动的,而不是尼安德特人和现代人类之间的认知差异. 艺术从临时实践演变为传统,与越来越多的互动.
科学领域:
- 古人类学古人类学.
- 考古学的考古学
- 认知科学 认知科学
背景情况:
- 视觉艺术通常仅归因于智人,尽管有证据表明尼安德特人也参与了象征性行为.
- 以前关于尼安德特人艺术稀缺性的解释主要集中在认知局限性上,这些局限性正日益受到挑战.
研究的目的:
- 研究影响早期视觉艺术的产生和演变的因素.
- 通过提出社会和人口因素作为主要驱动因素,挑战艺术和认知的本质主义模型.
- 将早期艺术重新定义为跨人类群体的灵活,取决于背景的行为.
主要方法:
- 考古证据的分析,包括颜料的使用,装饰,雕刻和绘画.
- 考察尼安德特人和早期现代人类社区的社会动态和人口背景.
- 文化传播的理论建模和艺术实践的演变.
主要成果:
- 早期的艺术实践,如颜料的使用和装饰,最初是临时的,为社会信号和群体间的沟通服务.
- 视觉艺术以增加的人口密度和互动的方式超越了临时使用,导致传统和累积的文化艺术.
- 认知能力并不是对尼安德特人艺术低频率的充分支持的解释.
结论:
- 社会联系和人口密度,而不是认知缺陷,被认为是影响尼安德特人艺术生产的关键因素.
- 视觉艺术最好被理解为由社会和人口背景塑造的灵活行为,而不仅仅是内在的认知能力.
- 倡导一种多元化的认知和文化表达的观点,跨越不同的人类群体.
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