在年轻的成年音乐家中探索表演前情绪的结构和功能意义
1Psychology Department, University of the National Education Commission, ul. Podchorążych 2, Krakow, 30-084, Poland. julia.kalenska-rodzaj@uken.krakow.pl.
Scientific reports
|December 10, 2025
概括
年轻的音乐家经历了复杂的表演前情绪 (PPE),而不仅仅是焦虑. 情境因素,如自我效能,比处置性特征更强烈地影响绩效满意度.
科学领域:
- 心理学 心理学 心理学
- 音乐表演研究 音乐表演研究
- 情感研究 情感研究
背景情况:
- 之前关于表演前情绪 (PPE) 的研究主要集中在负面状态上,如音乐表演焦虑 (MPA).
- 这项研究采用了混合情感的观点来探索年轻成年音乐家中PPE的复杂性.
- 了解PPE的多面性质对于绩效质量和满意度至关重要.
研究的目的:
- 确定个人音乐表演中PPE的类别,来源和复杂性.
- 解释个人防护设备配置文件对绩效质量和满意度的功能意义.
- 为了比较与情境 (自我有效性) 和处置 (情绪意识,监管,MPA脆弱性) 因素有关的个人防护品的配置.
主要方法:
- 124名年轻成年音乐家完成了Emomix电子表格,在独奏表演之前评估自我效能和情绪.
- 绩效质量被主观和客观地评价为绩效后.
- 使用已建立的情绪意识,调节和MPA的库存来测量处置因素.
主要成果:
- 参与者报告了平均八种情绪,其中希望,好奇心和恐惧是最常见的.
- 四个不同的PPE集群出现了:认识情绪和快乐,好奇心和积极的情绪,恐惧和希望,羞耻和消极的情绪.
- 前两个与积极情绪相关的集群显示出更高的自我效能和绩效满意度.
结论:
- 表演前的情绪是多方面的,年轻的音乐家经历了各种各样的感受.
- 在这个群体中,情境因素,特别是自我效能,似乎是表现满意度的强大驱动因素,而不是处置因素.
- 这些发现强调了考虑混合情绪方法和情境影响在理解音乐家福祉和表现方面的重要性.
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