在不同文化中解释声情的强度
Yachan Liang1, Roeland van Hout2, Vincent J van Heuven1
1Centre for Linguistics, Leiden University, Leiden, the Netherlands.
Scandinavian journal of psychology
|February 19, 2026
概括
跨文化声乐情绪强度评级显示没有群体内偏见. 高兴奋,负面和基本情绪的强度更高,但这些因素并没有严格地对所有情绪的强度进行分类.
科学领域:
- 心理学 心理学 心理学
- 语言学的语言学.
- 声学 声学 在声学方面
背景情况:
- 情绪强度是一个关键的感知维度,但声势强度的研究是有限的.
- 情绪维度的影响,如兴奋,价值和基本性对声的强度是研究不足的.
- 了解跨文化声情感知是全球沟通的关键.
研究的目的:
- 为了研究跨文化声乐情感强度评级.
- 为了检查荷兰和韩国听众之间的强度评级中的群体内偏差.
- 评估唤起,价值和基本性对声情激情强度的贡献.
主要方法:
- 使用了Demo (荷兰语) 和Koremo (韩语) 的身体,演员们用声音表达了八种情感.
- 收集了31名荷兰人和24名韩国听众的强度评分 (1-4级).
- 根据听众群体,情绪和维度属性 (兴奋,价值,基本性) 分析了强度评级.
主要成果:
- 没有发现群体内偏见;听众没有更高评价母语情绪.
- 强度评分与兴奋和基本性正相关,与价值 (负面情绪更高) 负相关.
- 兴奋,价值和基本性显著影响了强度,但并不能完全预测所有情绪的强度.
结论:
- 跨文化声情强度的感知是可能的,没有群体内偏见.
- 兴奋,价值和基本性是重要的,但不是唯一的,决定语音情绪强度的因素.
- 特定的情绪具有内在的强度特征,这些特征超越了一般的维度模式.
关键词:
荷兰人荷兰人荷兰人荷兰人韩国 韩国人 韩国人 韩国人激发性兴奋 激发性兴奋这是基本的基本性.跨文化的跨文化.强度的强度的强度.集团内偏见 在集团内偏见瓦伦斯的价值观就是这样.声乐 情绪 声乐 情绪更多相关视频
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