跨模式对比:从音乐到多媒体 - 不相称性,认知失调,刺和超现实主义
Charles Spence1, Nicola Di Stefano2
1Crossmodal Research Laboratory, Department of Experimental Psychology, University of Oxford, Oxford, United Kingdom.
Frontiers in psychology
|February 25, 2026
概括
本综述探讨了交叉模式的对立点,即有冲突的感官刺激,如暴力场景与快乐的音乐,有意地结合在一起. 与典型的实验室研究不同,这种艺术技术促使反思,避免了简单的感官平均值.
科学领域:
- 认知神经科学 认知神经科学
- 心理学 心理学 心理学
- 艺术理论 艺术理论
背景情况:
- 关于多感官知觉的实验室研究通常使用一致或不一致的刺激.
- 参与者通常缺乏呈现的视听刺激的背景.
- 艺术背景故意结合了感官输入,有时会产生情感冲突.
研究的目的:
- 批判性地检查交叉模式对比的概念.
- 审查关于使用交叉模式对比的研究和理论.
- 将实验室发现与感官不一致的艺术应用进行对比.
主要方法:
- 叙述性的历史审查.
- 对现有研究和理论框架的分析.
- 对多感官刺激的实验和艺术方法的比较.
主要成果:
- 艺术的交叉模式对比可以唤起反思和认知不和.
- 这与实验室发现形成鲜明对比,实验室发现一致的刺激往往导致平均值.
- 蓄意的不一致性作为一种修辞手段,引入刺.
结论:
- 艺术中的交叉模式对比与典型的实验室范式有很大的不同.
- 在艺术中故意使用感官冲突,邀请观众更深入地参与.
- 需要进一步的研究来了解艺术交叉模式对比的认知和情感影响.
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