玻利वुड电影中的女性角色的表现:刻板印象,观众的看法和社会影响
Forhana Choudhury1, Swati Sharma1
1School of Social Sciences and Languages, Vellore Institute of Technology, Chennai, India.
Frontiers in sociology
|March 2, 2026
概括
宝莱电影经常以双重角色描绘女性:美德的女主角和过度性化的物品女孩. 这项研究表明,只有女孩描绘的物品能够显著预测行为观念,强化性别刻板印象.
科学领域:
- 媒体研究 媒体研究
- 社会学 社会学 社会学
- 文化研究 文化研究
背景情况:
- 宝莱电影经常采用女性角色的二元表示,特别是女主角和物品女孩.
- 理论上,这些描述会影响观众的看法和性别角色和身份的内化.
研究的目的:
- 分析观众对玻利वुड女英雄和物品女孩对比的表现的看法.
- 调查这些二元表示如何反映和塑造对女性角色和身份的态度.
- 检查动机的强化理论和麦当娜 - 妓女二分法在理解观众内化中的作用.
主要方法:
- 在印度和NRI受众中对300名年轻受访者进行了定量调查.
- 用ANOVA,千平方,相关性和回归分析分析数据.
- 应用了定性理论镜头 (强化理论,麦当娜 - 妓女二分法) 来进行解释.
主要成果:
- 观众清楚地区分了女主角 (美德,体面) 和物品女孩 (过度性欲,偏差).
- 回归分析表明,只有物品女孩的描绘和感知到的现实生活中的相关性预测了行为认知.
- 相关性分析证实了分隔的性别二元制的持续存在.
结论:
- 宝莱歌曲及其数字流通在年轻观众中加强和传播性别刻板印象.
- 宝莱的女主角-女主角二分法有助于塑造限制性的性别规范和限制女性在电影中的身份.
关键词:
宝莱电影院电影院 宝莱电影院麦当娜-妓女二分法 麦当娜-妓女二分法观众的感知观众的感知.女性的二进制代表性.性别刻板印象的性别刻板印象项目歌曲 项目歌曲 项目歌曲男人的目光 男人的目光性对象化的性对象化更多相关视频
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