在音景研究中对包容性和多样性的批判性观点
K Chatburn1, K van den Bosch2, A Talebzadeh3
1The Leverhulme Unit for the Design of Cities of the Future, School of Digital Arts (SODA), Manchester Metropolitan University, 14 Higher Chatham Street, Manchester M15 6ED, United Kingdom.
JASA express letters
|March 2, 2026
概括
人类音景研究必须拥抱听觉多样性,超越普遍的西方规范. 需要包容性的方法来实现公平的声学环境,尊重不同的感知和文化背景.
科学领域:
- 环境心理学环境心理学
- 声学生态学 声学生态学
- 声音的社会学 声音的社会学
背景情况:
- 人类音景研究往往忽视了社会和文化差异.
- 一个普遍的自然声音的恢复性假设,被西方规范理想化,导致同质化.
- 现有的研究往往忽略了各种不同的听觉体验和更广泛的背景.
研究的目的:
- 批评当前人类声景研究中的偏见.
- 倡导采用交叉方法,考虑"谁"在倾听,以及"如何".
- 促进将边缘化的声音和听觉多样性纳入声景研究中.
主要方法:
- 对现有的声景研究方法的批判性分析.
- 对声音感知的社会和文化维度的反思.
- 倡导包容性和适应性研究设计.
主要成果:
- 在对声音景观的概括解释中发现了偏见.
- 强调了某些群体被排除在音景研究和设计之外.
- 展示了尊重声的多样性和更广泛的社会背景的必要性.
结论:
- 当前的音景研究需要从一般化解释转向情境意识的方法.
- 包容性方法对于创造公平的声学环境至关重要.
- 庆祝人类多样化的感知丰富了声音景观研究的研究和设计.
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