解构人类中心主义:顺·岩井的"华莱士和美人鱼"中的生态伦理
1School of Foreign Languages, Beihua University, 3999 Binjiang East Road, Jilin City, 132013, Jilin, China.
Journal of bioethical inquiry
|March 10, 2026
概括
这项研究使用生态伦理学和后人类哲学来分析Shunji Iwai的电影,挑战人类中心主义. 它提出了一个后人类伦理范式,用于跨物种共存和生态相互依赖.
科学领域:
- 生态伦理学 生态伦理学
- 后人类哲学 后人类哲学
- 海洋文学研究 海洋文学研究
背景情况:
- 全球生态危机需要新的伦理框架.
- 人类中心的意识形态占主导地位,需要批判性重新审视.
- 吉·岩井的"华莱士和一个人鱼"为生态调查提供了一个独特的镜头.
研究的目的:
- 通过生态伦理学,后人类哲学和东亚海洋文化重新审视"华莱士和美人鱼".
- 分析美人鱼作为一个破坏稳定的人物,海洋作为一个产生空间.
- 为跨物种共存推进一个后人类伦理范式.
主要方法:
- 借鉴德勒兹的成为概念和女权主义的生态批判.
- 应用非人类中心思想来分析杂交性和临界性.
- 整合东亚海洋想象的孕产妇的生育力和边界溶解.
主要成果:
- 海形象破坏了物种层次结构和性别二元体系的稳定.
- 海洋被解释为一个去中心化的空间,用于重新配置生态主观性.
- 叙事批评人类中心主义,并重新想象了物种间的共存.
结论:
- 这项研究推进了一个基于流体身份和关系性的后人类伦理范式.
- 它为生态哲学和海洋文学研究做出了贡献.
- 它为面对生态危机的地球相互依存提供了一个框架.
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