超越区别:私人艺术博物馆及其对精英 (自我) 合法化话语的多功能作用
Sara de Andrade Silva1, Kristina Kolbe2, Olav Velthuis3
1University of Amsterdam, Amsterdam, the Netherlands.
The British journal of sociology
|March 12, 2026
概括
富有的精英利用新的私人艺术博物馆来使自己合法化,将自己呈现为可靠的艺术世界代理人和慈善行为者. 这项研究分析了这些文化机构如何在不断增长的不平等的情况下为精英区分和全球凝聚力服务.
科学领域:
- 社会学 社会学 社会学
- 文化研究 文化研究
- 艺术史 艺术史 艺术史
背景情况:
- 21世纪,由富有的收藏家建立的私人艺术博物馆在全球范围内起.
- 从历史上看,艺术一直是精英区分和加强社会不平等的平台.
- 这种私人博物馆的激增引起了大量的公众辩论和审查.
研究的目的:
- 调查富有的精英如何利用私人艺术博物馆来自我合法化.
- 分析这些机构的使命声明和"关于我们"部分所采用的演讲策略.
- 了解私人博物馆在当代精英形成和再生产中的作用.
主要方法:
- 对来自59个国家的399个私人博物馆的在线文本进行主题建模分析.
- 检查使命声明和"关于我们"部分,以确定合法化话语.
- 在不同的全球背景下对合法化策略的比较分析.
主要成果:
- 私人博物馆及其创始人被呈现为艺术界的制度化,可靠的代理人.
- 话语强调创始人是有价值的慈善行为者,为更广泛的社会做出贡献.
- 除了精英内部的区别之外,合法化策略强调机构的信誉和社会贡献.
结论:
- 私人艺术博物馆是象征性精英合法化和全球精英凝聚力的多功能工具.
- 这些发现有助于社会学批评精英的形成和繁殖在一个日益增长的财富集中的时代.
- 这项研究强调了文化慈善在当代权力结构中的重要性.
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