绘制流体验和音乐表演焦虑之间的关系:一个范围审查
Nery Borges1, Helena Marinho1, Marcos Araújo2
1Department of Communication and Arts, Institute of Ethnomusicology - Center for Studies in Music and Dance (INET-md), University of Aveiro, Aveiro, Portugal.
Frontiers in psychology
|March 13, 2026
概括
流体验 (FE) 和音乐表演焦虑 (MPA) 往往是负相关的,但适度的焦虑可以促进流. 对音乐家来说,情绪调节和自我效能是这种关系的关键因素.
科学领域:
- 心理学 心理学 心理学
- 音乐表演 音乐表演
- 认知科学 认知科学
背景情况:
- 流体验 (FE) 和音乐表演焦虑 (MPA) 对于理解音乐家的福祉和表现至关重要.
- 它们的相互作用会影响音乐表演期间的情绪激活和注意力集中.
研究的目的:
- 系统地绘制和综合有关FE和MPA关系的现有文献.
- 了解音乐家如何处理焦虑,以达到最佳的表演状态.
主要方法:
- 根据PRISMA-ScR指南进行范围审查.
- 在五个主要数据库 (Scopus,科学网,PubMed,PsycINFO,SAGE) 进行了全面的文献搜索.
- 基于预先定义的标准,对18项经验研究进行了系统分析.
主要成果:
- 在FE和MPA之间存在着主要负相关性.
- 中度焦虑,当被认为是一个挑战时,可以与FE共存或增强FE.
- 情绪自我调节,自我效能和自尊调解了FE-MPA关系.
- 和正念等干预措施可以减少MPA并增加FE.
结论:
- FE和MPA存在于一个动态连续,焦虑调节可能会在流动之前.
- 目前对它们相互作用的理解在方法上是分散的.
- 未来的研究应该采用多式联运和纵向设计来阐明机制,并为绩效准备策略提供信息.
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