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Preferred self-to-other ratios in choir singing
1Department of Speech, Music and Hearing, Royal Institute of Technology, Stockholm, Sweden. sten@speech.kth.se
The Journal of the Acoustical Society of America
|June 25, 1999
Summary
Choir singers require a specific self-to-other ratio (SOR) to hear themselves adequately. This study found preferred SORs vary greatly among singers but are crucial for optimal choral performance and acoustics.
Area of Science:
- Music Acoustics
- Psychoacoustics
- Vocal Performance
Background:
- Choir singers need to balance their voice with others for optimal performance.
- Understanding self-to-other ratio (SOR) preferences can inform stage and choral arrangement design.
- Previous research has not fully detailed individual singer preferences for SOR.
Purpose of the Study:
- To experimentally determine choir singers' preferred self-to-other ratios (SOR).
- To investigate how factors like vocal part, vowel, and phonation frequency influence preferred SOR.
- To compare preferred SORs with those measured in actual choir performances.
Main Methods:
- Singers (sopranos, altos, tenors, basses) sang vowels with synthesized choir accompaniment.
- Participants adjusted their distance to a microphone to achieve a comfortable self-to-other ratio (SOR).
- SOR was measured at the preferred listening location under various singing conditions.
Main Results:
- Preferred self-to-other ratios (SORs) were generally similar to, but slightly higher than, those in actual performances.
- Individual preferences for SOR showed narrow tolerances (+/- 2 dB) but wide inter-singer variation (-1 to +15 dB).
- No significant difference in preferred SOR was found between unison and four-part singing tasks.
Conclusions:
- Singer preferences for self-to-other ratio (SOR) are highly individualized.
- The findings provide valuable data for optimizing acoustic environments and formations in choirs.
- Further research is needed to clarify the influence of phonation frequency and vowel on SOR preferences.