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The dependency of timbre on fundamental frequency
Jeremy Marozeau1, Alain de Cheveigné, Stephen McAdams
1Institut de Recherche et Coordination Acoustique/Musique (Ircam-CNRS), 1, place Igor Stravinsky, F-75004 Paris, France. jeremy.marozeau@ircam.fr
The Journal of the Acoustical Society of America
|December 3, 2003
Summary
Musical instrument timbre perception is independent of fundamental frequency (F0) variations. Our study shows that listeners can distinguish timbre from pitch, even with octave differences.
Area of Science:
- Psychoacoustics
- Music Perception
- Auditory Neuroscience
Background:
- Timbre, a key characteristic of musical sound, is influenced by various acoustic properties.
- The relationship between timbre and fundamental frequency (F0) in musical instruments remains an area of ongoing research.
Purpose of the Study:
- To investigate the dependency of musical instrument timbre perception on fundamental frequency (F0).
- To determine if timbre differences are perceived independently of pitch differences across varying F0.
- To assess the stability of timbre perception across different F0 values.
Main Methods:
- Three experiments involving listener judgments of timbre dissimilarity among 12 musical instruments.
- Stimuli were presented with controlled F0, duration, and loudness, with F0 varied across sessions and conditions.
- Multidimensional scaling (MDS) was used to analyze dissimilarity matrices and model timbre spaces.
Main Results:
- Dissimilarity matrices were consistent across different F0 values, indicating stable relative timbre perception.
- Listeners could effectively ignore pitch differences to rate timbre dissimilarity, even when F0 varied.
- MDS solutions revealed minimal variation in timbre spaces across experimental conditions and F0 levels.
Conclusions:
- Timbre perception is largely independent of pitch, particularly for F0 differences within an octave.
- Timbre differences can be reliably measured and perceived even when fundamental frequencies differ.
- These findings support the stability of timbre as a perceptual attribute across varying pitch contexts.
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