Related Experiment Video
Updated: Aug 21, 2026

Foreign Accent and Forensic Speaker Identification in Voice Lineups: The Influence of Acoustic Features Based on Prosody
Published on: September 27, 2024
Secant lines in a preliminary study of phonetic reduction of /I/ and /epsilon/
1CReSS LLC, Lexington, Massachusetts 02420-2002, USA. rsmcgowan@earthlink.net
Abstract:
Two subjects from the X-Ray Microbeam Speech Production Database were examined in their production of the vowels /I/ and /epsilon/ in alveolar and dental consonant contexts. Secant lines, or first-order splines, between the three most anterior pellets were examined at vowel critical times. These critical times were zero crossings in the tangential acceleration of the midpoints of the secant lines. We expected and found, in general, that vowel reduction occurred as a function of vowel duration in measures of the secant line midpoint-to-palate distance and secant line orientation at vowel critical times. The shorter the vowel, the smaller the distance of the secant line midpoints to the palate and the less downward the orientation of the secant lines at the vowel critical times. Phonetic reduction was also apparent in the formant frequencies. There were differences between the speakers in terms of the range of vowel duration and degree of reduction. The subjects differed in the functional parts of the tongue spanned by the secant lines and the shape of their palates. These differences were factors in the observed relations between formant frequencies and the articulatory, secant line measures for each subject.
Related Concept Videos
Reducing Line Loss
With a step-up transformer at the source, the voltage is increased, thereby reducing the current in the transmission lines since power loss in...
Midpoint Rule
The Precise Definition of a Limit
Simpson's Rule I
Interference: Path Lengths
Two special sources may be considered when they are in phase. This can be easily achieved by feeding the two sources from the same source. An example would be synchronizing the two speakers by feeding them with the same source, such as the sound waves produced by a tuning fork. This setup ensures that the two sources have the same frequency and are...
