Colored inks analysis and differentiation: a first step in artistic contemporary prints discrimination
Anna Vila1, Nuria Ferrer, Jose F García
1Department de Pintura, Conservació-Restauració, Facultat de Belles Arts, Universitat de Barcelona, C/Pau Gargallo 4, 08028 Barcelona, Spain. avila@sct.ub.es <avila@sct.ub.es>
Abstract:
Prints are the most popular artistic technique. Due to their manufacturing procedure, they are also one of the most frequently falsified types of artwork. In terms of their economic and historic value, the chemical analysis and characterisation of coloured inks and their principal constituent materials (pigments), together with the historical and aesthetic information available in the Catalogues Raisonées, are important tools in distinguishing originals from non-original prints. The chemical characterisation and discrimination of coloured inks has test in this study. Analysis using Fourier transform infrared spectroscopy (FTIR), Scanning electron microscopy (SEM) and X-ray diffraction (XRD) has been done on blue pigments and inks, due to this colour is one of the most representative for the presence of organic and inorganic materials in their composition. Conclusion obtained for this colour would demonstrate the capability of the approach when it is applied to any other coloured set of inks.
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