Contemporary art and Hanna Segal's thinking on aesthetics
1adela.abella@tele2.ch
The International Journal of Psycho-Analysis
|May 4, 2010
Summary
Psychoanalytic theory evolved from viewing art as sexual sublimation to recognizing destructiveness. Hanna Segal linked art to reparation and mourning, while contemporary art explores raw, less symbolized processes and the search for truth.
Area of Science:
- Psychoanalysis
- Art Theory
- Psychology
Background:
- Psychoanalytic thought on art shifted from Freud's sublimation theory to incorporating destructiveness and narcissism.
- Hanna Segal's work marked a significant evolution, connecting artistic creation to reparative processes and mourning.
- Contemporary art introduces complexities, including primitive and psychotic elements, challenging earlier psychoanalytic interpretations.
Purpose of the Study:
- To examine the evolution of psychoanalytic thought on art, from Freud to Segal.
- To explore Segal's concept of art as reparation and its relation to formal beauty.
- To consider contemporary art's raw, less symbolized processes and its search for truth.
Main Methods:
- Historical analysis of psychoanalytic theories on art.
- Comparative study of Freud's and Segal's perspectives.
- Exploration of contemporary art through a psychoanalytic lens.
Main Results:
- Art's interpretation in psychoanalysis evolved from sexual sublimation to include destructiveness and narcissistic conflicts.
- Segal proposed art as a reparative attempt to restore the loved object, linked to mourning and symbol formation.
- Contemporary art necessitates considering less symbolized, raw processes and a drive towards truth.
Conclusions:
- Psychoanalytic understanding of art has broadened significantly over time.
- Segal's reparative theory offers valuable insights but requires expansion for contemporary art.
- Contemporary art challenges traditional psychoanalytic frameworks, highlighting raw expression and the pursuit of truth.
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