Simultaneous contrast and gamut relativity in achromatic color perception

Simultaneous contrast refers to the respective whitening or blackening of physically identical image regions surrounded by regions of low or high luminance, respectively. A common method of measuring the strength of this effect is achromatic color matching, in which subjects adjust the luminance of a target region to achieve an achromatic color match with another region. Here I present psychophysical data questioning the assumption--built into many models of achromatic color perception--that achromatic colors are represented as points in a one-dimensional (1D) perceptual space, or an absolute achromatic color gamut. I present an alternative model in which the achromatic color gamut corresponding to a target region is defined relatively, with respect to surround luminance. Different achromatic color gamuts in this model correspond to different 1D lines through a 2D perceptual space composed of blackness and whiteness dimensions. Each such line represents a unique gamut of achromatic colors ranging from black to white. I term this concept gamut relativity. Achromatic color matches made between targets surrounded by regions of different luminance are shown to reflect the relative perceptual distances between points lying on different gamut lines. The model suggests a novel geometrical approach to simultaneous contrast and achromatic color matching in terms of the vector summation of local luminance and contrast components, and sets the stage for a unified computational theory of achromatic color perception.