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Layers of looking.

Wendy Morris1

  • 1Associated Faculty of Architecture and the Arts, Association Catholic University Leuven, Koningsstraat 328, B-1030 Brussels, Belgium;

I-Perception
|November 13, 2012
PubMed
Summary
This summary is machine-generated.

This study explores how viewing animated films and their constituent drawings changes depending on the stage of creation and exhibition context. The research highlights the evolving perception of visual art throughout the filmmaking and display process.

Keywords:
different kinds of looking when drawinglooking-animatinglooking-reflectinglooking-rememberingstudio practice

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Area of Science:

  • Art and Media Studies
  • Visual Arts
  • Filmmaking

Background:

  • Filmmaking often involves a multi-stage process from initial concept to final exhibition.
  • Animated films integrate various artistic elements, including drawing and visual storytelling.
  • The perception of artwork can be influenced by the context of its creation and presentation.

Purpose of the Study:

  • To analyze the shifting ways of looking at images during the creation of animated films and drawings.
  • To investigate how the viewing experience of drawings and films changes from studio to gallery settings.
  • To understand the relationship between the artistic process and the viewer's perception.

Main Methods:

  • The study employs a practice-based research approach, documenting the creation of animated films from drawings.
  • It involves a reflective analysis of the artist's own visual perception at different stages of the filmmaking process.
  • Comparative observation of drawings in the studio versus exhibition spaces.

Main Results:

  • Different stages of drawing and filmmaking necessitate distinct modes of visual engagement, from close-up focus to reflective overview.
  • The perception of light, shadow, and line detail varies significantly during the drawing process.
  • The context of viewing (studio vs. museum) alters the interpretation and appreciation of the final artwork.

Conclusions:

  • The artistic process inherently shapes how images are perceived by the creator.
  • The transition from creation to exhibition transforms the viewer's interaction with visual art.
  • Understanding these perceptual shifts is crucial for both artists and art audiences.