Jove
Visualize
Contact Us
JoVE
x logofacebook logolinkedin logoyoutube logo
ABOUT JoVE
OverviewLeadershipBlogJoVE Help Center
AUTHORS
Publishing ProcessEditorial BoardScope & PoliciesPeer ReviewFAQSubmit
LIBRARIANS
TestimonialsSubscriptionsAccessResourcesLibrary Advisory BoardFAQ
RESEARCH
JoVE JournalMethods CollectionsJoVE Encyclopedia of ExperimentsArchive
EDUCATION
JoVE CoreJoVE BusinessJoVE Science EducationJoVE Lab ManualFaculty Resource CenterFaculty Site
Terms & Conditions of Use
Privacy Policy
Policies

Related Concept Videos

Depth Perception and Spatial Vision01:15

Depth Perception and Spatial Vision

Depth perception is the ability to perceive objects three-dimensionally. It relies on two types of cues: binocular and monocular. Binocular cues depend on the combination of images from both eyes and how the eyes work together. Since the eyes are in slightly different positions, each eye captures a slightly different image. This disparity between images, known as binocular disparity, helps the brain interpret depth. When the brain compares these images, it determines the distance to an object.
Gestalt Principles of Perception01:21

Gestalt Principles of Perception

Gestalt principles provide a framework for understanding how humans perceive objects as unified wholes within their context. These principles are essential in explaining the cognitive processes that make sense of complex visual stimuli by organizing them into coherent groups. One fundamental principle is proximity, which posits that objects located close to each other are perceived as a collective group. For instance, when dots are positioned near one another, the visual system interprets them...
Overview of Microscopy Techniques01:22

Overview of Microscopy Techniques

The early pioneers of microscopy opened a window into the invisible world of microorganisms. In 1830, Joseph Jackson Lister created an essentially modern light microscope. The 20th century saw the development of microscopes that leveraged nonvisible light, such as fluorescence microscopy that uses an ultraviolet light source and electron microscopy that uses short-wavelength electron beams. These advances significantly improved magnification, image resolution, and contrast. By comparison, the...

You might also read

Related Articles

Articles linked to this work by shared authors, journal, and citation graph.

Sort by
Same author

Tracing aesthetic experience from perception and conception to appraisal using deep convolutional neural networks.

iScience·2026
Same author

From pixels to perception: A benchmark for human-like symmetry detection.

Vision research·2026
Same author

Finding Closure: A Closer Look at the Gestalt Law of Closure in Convolutional Neural Networks.

Computational brain & behavior·2026
Same author

Variability and predictability as key factors in a new approach to choreographic complexity in dance.

Cognition·2026
Same author

Rethinking neuroaesthetics: Toward a multidimensional and integrative science of aesthetic experience.

Neuron·2026
Same author

The element of surprise distinguishes beauty from pleasure and interest in visuo-tactile perception of art.

Scientific reports·2026
Same journal

To appear in a new light: Varying illumination colors induce dynamic transformations of perceptual qualities in still images.

i-Perception·2026
Same journal

Pseudo-slimy: A novel phenomenon to evoke stickiness perception.

i-Perception·2026
Same journal

Predictive visual uncertainty around moving trajectories influences causality judgments in launching displays.

i-Perception·2026
Same journal

Light and shape in the work of Robert Fones.

i-Perception·2026
Same journal

Sensorimotor numerosity uniquely supports arithmetic development in children.

i-Perception·2026
Same journal

In praise of anaglyphs.

i-Perception·2026
See all related articles

Related Experiment Video

Updated: May 16, 2026

Measuring Sensitivity to Viewpoint Change with and without Stereoscopic Cues
08:04

Measuring Sensitivity to Viewpoint Change with and without Stereoscopic Cues

Published on: December 4, 2013

Pictorial depth probed through relative sizes.

Johan Wagemans1, Andrea J van Doorn, Jan J Koenderink

  • 1University of Leuven (KU Leuven), Laboratory of Experimental Psychology, Tiensestraat 102-box 3711, BE-3000 Leuven, Belgium; e-mail: johan.wagemans@psy.kuleuven.be ;

I-Perception
|November 13, 2012
PubMed
Summary
This summary is machine-generated.

Artists use relative size to create depth in pictures. This study confirms that pictorial relative size effectively generates coherent depth perception, aligning with other depth cue methods.

Keywords:
depth orderdepth perceptionpictorial depthpicture perceptionspace perception

More Related Videos

A View of Their Own: Capturing the Egocentric View of Infants and Toddlers with Head-Mounted Cameras
03:56

A View of Their Own: Capturing the Egocentric View of Infants and Toddlers with Head-Mounted Cameras

Published on: October 5, 2018

Quantifying Intermembrane Distances with Serial Image Dilations
07:45

Quantifying Intermembrane Distances with Serial Image Dilations

Published on: September 28, 2018

Related Experiment Videos

Last Updated: May 16, 2026

Measuring Sensitivity to Viewpoint Change with and without Stereoscopic Cues
08:04

Measuring Sensitivity to Viewpoint Change with and without Stereoscopic Cues

Published on: December 4, 2013

A View of Their Own: Capturing the Egocentric View of Infants and Toddlers with Head-Mounted Cameras
03:56

A View of Their Own: Capturing the Egocentric View of Infants and Toddlers with Head-Mounted Cameras

Published on: October 5, 2018

Quantifying Intermembrane Distances with Serial Image Dilations
07:45

Quantifying Intermembrane Distances with Serial Image Dilations

Published on: September 28, 2018

Area of Science:

  • Visual perception
  • Artistic representation
  • Psychophysics

Background:

  • Familiar size is a depth cue in physical space, based on geometric relations.
  • These geometric relations are not directly applicable to pictorial space.
  • Artists utilize relative size within a picture to imply depth differences.

Purpose of the Study:

  • To investigate if the pictorial relative size cue generates coherent depth structures.
  • To determine the validity of relative size as a depth cue in two-dimensional art.
  • To explore the mathematical framework for understanding depth perception from pictorial cues.

Main Methods:

  • Measuring depth differences between 20 points in a pictorial space configuration.
  • Modeling these depth differences using 19 independent parameters.
  • Analyzing residuals to assess the model's fit to the observed data.

Main Results:

  • The relative size cue in pictorial space yields coherent depth structures.
  • Observed depth differences were accurately accounted for by the proposed model with no significant residuals.
  • Depth scales derived from pictorial relative size showed good agreement with scales from other methods.

Conclusions:

  • Pictorial relative size is a robust cue for generating consistent depth perception.
  • A formal framework exists for handling individual differences in depth perception from relative size.
  • The findings support the use of relative size as a reliable method for creating perceived depth in art.