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Related Experiment Video

Updated: May 13, 2026

Virtual Hand with Ambiguous Movement between the Self and Other Origin: Sense of Ownership and 'Other-Produced' Agency

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Projective identification in Othello and Verdi's Otello.

Richard Rusbridger¹

¹rjr27@waitrose.com

The International Journal of Psycho-Analysis

|February 27, 2013

Summary

This study examines projective identification in Shakespeare's Othello and Verdi's opera. It finds that music and lyrical expression effectively convey complex psychological processes like envy and jealousy.

Area of Science:

Psychology
Literary Studies
Musicology

Background:

Projective identification involves projecting unbearable feelings onto others.
Shakespeare's Othello and Verdi's opera offer rich examples of this psychological phenomenon.

Purpose of the Study:

To analyze the depiction of projective identification in Shakespeare's Othello and Verdi's Otello.
To explore how verbal and musical elements represent these complex psychological processes.

Main Methods:

Comparative analysis of Shakespeare's play and Verdi's opera.
Focus on two key episodes present in both works.
Examination of verbal and musical representations of projective identification.

Main Results:

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Both Othello and Otello demonstrate projective identification, driven by envy and jealousy.
Iago's projection targets Othello's narcissistic vulnerability.
Music and musically used words are potent carriers of inter- and intra-personal psychological dynamics.

Conclusions:

Shakespeare and Verdi masterfully depict projective identification through their respective art forms.
Musical and lyrical elements are uniquely suited for conveying complex psychological states.
The study highlights the enduring relevance of these works for understanding human psychology.