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Empathy and the aesthetic: Why does art still move us?
1Department of Philosophy and Social Sciences, University of Crete, 74100, Rethymnon, Crete, Greece. stamatop@phl.uoc.gr.
Cognitive Processing
|September 23, 2017
Summary
The affective-motivation hypothesis suggests background affective attitudes shape aesthetic experiences and art engagement. This involves sensorimotor synchronization and embodied perception, crucial for empathy and art appreciation.
Area of Science:
- Neuroaesthetics
- Embodied Cognition
- Philosophy of Art
Background:
- Art engagement is framed by background affective attitudes.
- Early perceptual and developmental processes influence aesthetic experience.
- Empathy and art appreciation share phenomenological underpinnings.
Purpose of the Study:
- To propose the affective-motivation hypothesis for aesthetic experience.
- To explore the role of affective perception and sensorimotor synchronization.
- To connect embodied perception, empathy, and the possibility of art.
Main Methods:
- Analysis of microgenetic and developmental passages in perception and action.
- Examination of sensorimotor synchronization and mirroring mechanisms.
- Exploration of embodied action representations and the body-affective matrix.
Main Results:
- Emergent qualitative layers provide the basis for aesthetic experience and empathy.
- Mirroring interfaces facilitate embodied, anticipatory, and affective perception.
- Aesthetic experiences can reconstruct early consciousness, linking aesthetics and ethics.
Conclusions:
- Affective-motivation is key to aesthetic engagement and art.
- Embodied perception and empathy are foundational to art's impact.
- Art's engagement with negative emotions may hold unique value for self-restructuring and morality.
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